In Decomposed Views, Only Background and Sky, three sites contend for surface: The Levant, Europe and the Museum Heterotopia. Three types of light destabilize rather than illuminate. Out takes from Composed View are basked in the light of reified hindsight vis-à-vis a Faux Flandria Filter in Photoshop. Copped frames from the luminous parts of Flemish landscape painting located in the New York Metropolitan area superimposed on my own raw material. The Photo-Shop-Sophistry of a schoolroom overhead projector.